Prof. Golinski discusses the links between public science and aesthetics at the turn of the 19th century by focusing on inventor Adam Walker’s device for projecting astronomical effects on a screen. Called the Eidouranion, this early pre-cinema, with its mix of music and visual effects, made Walker one of the most successful scientific lecturers of his day, in part because of his explicit invocation of the sublime.
Speaker:
Jan Golinski
Date:
Thursday, April 7, 2011
SoundCloud Audio: