Past Franke Visiting Fellows

Rozina Ali, "Islamophobia Yesterday and Today," 2024
Rozina Ali
Thinking through similarities and differences between the post­–9/11 and the post–10/07 eras.
 
Rozina Ali is a journalist, and currently a contributing writer at the New York Times Magazine. Her work focuses on the Middle East and South Asia, conflict, immigration, and Islamophobia. She also writes about literature and poetry. Previously, she was on the editorial staff at the New Yorker, and was a senior editor at the Cairo Review of Global Affairs, based in Cairo, Egypt. In 2022–23, she was a fellow at the Cullman Center for Scholars and Writers, and is a current fellow at Type Media Center.
 
Open to all Yale ID holders, but preregistration is required.

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Rozina Ali and Mark Oppenheimer, "How to Think about Antisemitism and Islamophobia," 2024
Ali Oppenheimer

A panel discussion featuring Rozina Ali (journalist, contributing writer at The New York Times Magazine, and 2024 Franke Visiting Fellow at Yale’s Whitney Humanities Center) and Mark Oppenheimer (author of Squirrel Hill: The Tree of Life Synagogue Shooting and the Soul of a Neighborhood and Vice President of Open Learning at American Jewish University).

The first 80 attendees will receive a copy of Squirrel Hill by Mark Oppenheimer.

Open to all Yale ID holders, but preregistration is required.
 

Co-sponsored by Yale Program for the Study of Antisemitism; Yale Program for the Study of Race, Indigeneity, and Transnational Migration; MacMillan Council on Middle East Studies; Jewish Studies; and Whitney Humanities Center

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James McAuley, "Jewish Survival and Holocaust Memory: Salo Baron and the Twentieth Century," 2022

This talk will examine the life and thought of Salo Baron, one of the great twentieth-century historians who was among the first to bring Jewish Studies to the American university. The talk will trace Baron’s commitment to rebutting the so-called lachrymose conception of Jewish history by emphasizing the theme of survival, but it will also examine that critique in the context of Holocaust memory that gradually began to emerge after the Second World War.

James McAuley is a contributing columnist for The Washington Post writing on European affairs. During his Franke Fellowship at the Whitney, he is continuing research on his next book, “Black Milk of Dawn.” While at Yale, he will also be finishing a short biography of the Zionist benefactor Edmond de Rothschild, for the Jewish Lives biography series at Yale University Press. This follows the publication in 2021 of his first book, The House of Fragile Things: Jewish Art Collectors and the Fall of France, also with Yale University Press. He earned his PhD in Modern European History at Oxford in 2016, where he studied as a Marshall Scholar.

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Alejandra Oliva, "You Can’t Translate What You Can’t See: Between Languages in the U.S. Immigration System," 2022

How are power structures and empathy implicated in translation? What do we owe asylum seekers, and the stories they bring? What does it mean to bear witness, or to take action? Based on her experiences as an observer and translator in different parts of the U.S. immigration system, Alejandra Oliva reflects on the ways, both big and small, that the system fails the people within it—and the shift required to fix it.

Alejandra Oliva is an essayist, embroiderer, and translator working in immigration advocacy. Her writing has been included in Best American Travel Writing 2020, nominated for a Pushcart prize, and helped her secure an Aspen Summer Words Emerging Writers Fellowship. She is the translator for a bilingual edition of A Is for Asylum Seeker by Rachel Ida Buff (2020, Fordham University Press).

Her nonfiction chapbook, Declaration, was published by Guillotine Books (2016). She holds a Master of Theological Studies degree from Harvard Divinity School and works as a communications coordinator at the National Immigrant Justice Center. She lives in Chicago with her husband and their dog. You can see her latest work at olivalejandra.com

During her Franke Visiting Fellowship, Oliva plans to complete her upcoming book project on translation at the U.S.-Mexico border. Her book, Rivermouth, is forthcoming from Astra House in 2023.

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Sheila Heti, "What Is a Process?," 2022

In her public lecture, “What Is a Process?” novelist Sheila Heti, our Fall 2022 Franke Visiting Fellow, invites us into the processes she uses in the writing of her books—both the expected and the unexpected. She offers a glimpse into the novel she’s currently writing while she’s with us here in New Haven, and speaks about the role of collaboration with other people, and other domains, in the shaping of her ideas.

Sheila Heti is the author of ten books, including the novels Pure Colour, Motherhood, and How Should a Person Be? She recently published her second children’s book, A Garden of Creatures, illustrated by Esmé Shapiro. She was named one of “The New Vanguard” by the New York Times; a list of fifteen writers from around the world who are “shaping the way we read and write fiction in the 21st century.” Motherhood was chosen by New York magazine and the critics of the New York Times as the Best Book of the year, and How Should a Person Be? was named one of the 12 “New Classics of the 21st century” by Vulture. Her nonfiction collaboration Women in Clothes, which includes the words of 639 women from around the world, was a New York Times bestseller. She is the former Interviews Editor of The Believer magazine, and has interviewed many writers and artists, including Joan Didion, Elena Ferrante, Agnes Varda, Sophie Calle, Dave Hickey, and John Currin. Her books have been translated into twenty-five languages. She lives and works in Toronto.

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4:00pm, Humanities Quadrangle (HQ), 136

Steven Meyer, Washington University, "The Two Silos: Literature, Science, and Agents of Overlap in Twenty-first-century Science Studies," 2020
Hilton Als, Pulitzer Prize-winning author, "The Walk: a reading ," 2019
Irving Goh, National University of Singapore, "The Postscript, or Failure: On Édouard Levé and Recent Affect Theory," 2018

(Department of French and Whitney Humanities Center)

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Nicholas Conard, University of Tübingen, "The Evolutionary Origins of Art and Music: Where, When, and Why," 2018

(Department of Anthropology and Whitney Humanities Center)

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Harold Augenbraum, American writer, editor, and translator, "“What Translation Means: The Extent and Impact of Translation in America” ," 2017

For twelve years, Augenbraum was Executive Director of the National Book Foundation, presenter of the National Book Awards. He has translated, among other works, Alvar Núñez Cabeza de Vaca’s Chronicle of the Narváez Expedition and the Filipino novelist José Rizal’s Noli Me Tangere and El Filibusterismo. In 2012, the University of Texas Press published his co-translation (with Ilan Stavans) of The Plain in Flames by Juan Rulfo; in 2013, Penguin Classics published his edition of the Collected Poems of Marcel Proust. He is currently carrying out a research project on the business of translation in the United States under a grant from the Andrew W. Mellon Foundation. In 2015, Concordia College in Moorhead, Minnesota, awarded him the degree of Doctor of Humane Letters, honoris causa.

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Bernard Geoghegan, Coventry University, "The Difficulty of Gift-Giving: Cybernetics and Postwar French Thought," 2017

Bernard Dionysius Geoghegan, the Fall 2017 Franke Visiting Fellow at the Whitney Humanities Center, will give a lecture titled “The Difficulty of Gift-Giving: Cybernetics and Postwar French Thought” on Wednesday, November 8, at 5 pm in Room 208 of the WHC.

A historian and theorist of digital media, Geoghegan is a senior lecturer in Media and Communications at Coventry University and a visiting associate professor in Film and Media Studies at Yale University. He also works as a curator and educational programmer for the Anthropocene Project at Haus der Kulturen der Welt in Berlin, Germany. His research investigates how changes in media technology interweave with changes in popular culture, science, and the physical environment. He has edited essay collections on media philosopher Gilbert Simondon, on media and the occult, and on media theorist Friedrich Kittler. Geoghegan’s essays and translations appear in journals including Critical Inquiry, SubStance, IEEE Annals on the History of Computing, and Theory, Culture & Society. He is currently writing a book with Francesco Casetti on screening as a cultural technique that examines the history of managing environments and space through screen-based media technologies such as radar and global positioning systems.

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Carolyn Abbate, "Sound Object Lessons," 2015

Carolyn Abbate is Professor of Music at Harvard University. She received a BA from Yale and a PhD from Princeton. She has held faculty positions at Princeton and the University of Pennsylvania, and as a visiting professor at the Freie Universität Berlin, and held research fellowships and lectureships at the Wissenschaftskolleg Berlin, Kings College Cambridge, the University of Hong Kong, and the Institute for Advanced Study. 

Outside academia, she has worked as a dramaturge and director. Many of her writings focus on opera, from its beginnings around 1600 through the twenty-first century. She has also published essays on musical automata, film music, ephemeral art, and operetta’s ethical frivolity. Her latest book, coauthored with Roger Parker, is A History of Opera: The Last 400 Years (2012). 

Her current project on sound in the Machine Age deals with issues that range from knowledge of the human sensorium and listening in past eras, and artisanal practices of supplying music in film exhibition, to how alternative, vernacular philosophies of musical meaning grew from cinematic sound design and its technologies in the 1920s and 30s. In 2014, she was named a University Professor, Harvard’s highest honor for a faculty member.

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Michael Kimmelman, "The Politics of Public Space," 2014

Since returning to New York from Europe in autumn 2011, Mr. Kimmelman has reshaped the public debate about urbanism, architecture, and architectural criticism, focusing on issues of public space, housing for the poor, parks and infrastructure, social equality, and public interest design not only in New York City but also in cities such as Cairo, Medellin, Louisville, and Paris. He spent four years based in Berlin covering Europe and the Middle East as the New York Times ”Abroad” columnist before turning to architecture. Mr. Kimmelman was the Times’s longtime chief art critic. He is a fellow at the London School of Economics and a regular contributor to the New York Review of Books.

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Rebecca Newberger Goldstein, "Romancing Spinoza: Why Spinoza Had Little Use for Art and Why Artists Have Made Much Use of Him," 2012

Ms. Goldstein graduated from Barnard College and received her PhD in philosophy from Princeton University. She is the author of nine books, including the novels The Mind-Body Problem (1983); The Late-Summer Passion of a Woman of Mind (1989); The Dark Sister(1993), which received the Whiting Writer’s Award; Mazel (1995), which won the National Jewish Book Award and the Edward Lewis Wallant Award; Properties of Light: A Novel of Love, Betrayal, and Quantum Physics (2000); and 36 Arguments for the Existence of God (2010). She has also written a short story collection, Strange Attractors (1993), and the nonfiction works Incompleteness: The Proof and Paradox of Kurt Gödel (2005), deemed one of the best books of the year by Discover magazine, the Chicago Tribune, and theNew York Sun; and Betraying Spinoza: The Renegade Jew who Gave Us Modernity (2006), which received the Koret International Jewish Book Award in Jewish Thought.  

Ms. Goldstein has taught at Barnard, Columbia, Rutgers, and Trinity College, in Hartford, Connecticut. A member of the American Academy of Arts and Sciences, she has received Guggenheim and Radcliffe fellowships and in 1996 was a MacArthur Fellow. In 2008 the International Academy of Humanism named her Humanist Laureate; in 2011 she was designated Humanist of the Year by the American Humanist Association and Free-thought Heroine by the Freedom from Religion Foundation. She delivered the Tanner Lectures on Human Values at Yale that same year.

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Robert Myers, "Gertrude Bell in Mesopotamia," 2011

A professor of English and creative writing at the American University of Beirut, Mr. Myers is the author of more than a dozen plays about politics, history, and cultural encounters, including Atwater: Fixin’ to Die; The Lynching of Leo Frank; Dead of Night, about the official murder of Black Panther leader Fred Hampton; Perfectly Clear, about Richard Nixon and the Watergate tapes; Heartland, a black comedy about white supremacists; and Painting Persia, about the 1840s expedition of French geographer Xavier Hommaire de Hell and painter Jules Laurens. He also cotranslated Jawad Al-Assadi’s Baghdadi Bath, which played Off-Broadway in 2009.

In lieu of a public talk at Yale, Mr. Myers staged a reading of his play Mesopotamia, about archaeologist, Arabist, diplomat, and spy Gertrude Bell and the British occupation of Iraq. The performance featured actress Kathleen Chalfant, directed by Evan Yionoulis of the Yale Drama School. In conjunction with the production, Mr. Myers curated an exhibition at the Gallery at the Whitney, “Gertrude Bell in Mesopotamia,” a collection of letters, maps, books, intelligence reports, and photographs (many by Bell herself). He gave a talk, “Painting the Theater of the East,” to the WHC Fellows.

Claudia Roden, "A Good Soup Holds History and Culture: Reconstructing Worlds through Food," 2010

Thursday, October 28, “A Good Soup Holds History and Culture: Reconstructing Worlds through Food”

Piotr Sommer, "Overdoing It and Other Poems," 2009

Tuesday, October 20, “Overdoing It and Other Poems”

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Adina Hoffman, "Map of a Vanished Town: Recollecting the Palestinian Past Through Biography," 2008

Tuesday, October 7, “Map of a Vanished Town: Recollecting the Palestinian Past Through Biography”

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Luis Fernández-Galiano, "Thinking with Images," 2007

Wednesday, October 24, “Thinking with Images”

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Peter Cole, "Real Gazelles in Imaginary Gardens: Art, Scholarship, and the Translation of Medieval Hebrew Poems from Muslim Spain," 2006

Tuesday, September 12, “Real Gazelles in Imaginary Gardens: Art, Scholarship, and the Translation of Medieval Hebrew Poems from Muslim Spain”

Nicholas Conard, University of Tübingen, "What the Excavations in Schôningen Tell Us about Middle Pleistocene Lifeways in Northern Europe,"

(Department of Anthropology and Whitney Humanities Center)